
“The Abandons,” a new series on Netflix, presents a disappointing Western narrative filled with potential yet lacking execution. Set against the backdrop of 19thcentury Washington and filmed in Alberta, the show fails to resonate despite its stunning visuals.
Production Background and Challenges
The series faced significant production troubles. Creator Kurt Sutter departed before filming concluded. Initially ordered for ten episodes, the season was trimmed to seven, leading to an abrupt pacing that leaves viewers dissatisfied. Episodes often clock in at around 30 minutes, which contributes to a disjointed storytelling experience.
Plot Overview
The core conflict revolves around two strong female characters. Constance Van Ness, played by Gillian Anderson, is a widowed mining mogul vying for control over land owned by Irish matriarch Fiona Nolan, portrayed by Lena Headey. Their rivalry is central to the story, with Constance presenting herself as a benefactor for the fictional town of Angel’s Ridge.
Character Dynamics
As tensions rise, Constance’s men instigate violence against Fiona’s cattle, indicating the ruthless nature of their feud. The elder Van Ness son’s brutal encounter with Fiona’s de facto daughter, Dahlia, escalates the conflict. Misunderstandings abound, and Fiona’s makeshift family navigates the dangers surrounding their silverrich community, Jasper’s Hollow.
- Constance Van Ness: Ruthless mining mogul
- Fiona Nolan: Protective matriarch
- Dahlia: Fiona’s adopted daughter caught in violence
- Elias: Dahlia’s brother involved in a forbidden romance
- Albert: Friend of the family, spotlighted in a dedicated episode
- Lilla Belle: A mysterious Native girl with minimal development
Character Development Issues
While Constance and Fiona are portrayed with depth, supporting characters suffer from uneven development. Dahlia, for instance, lacks substantial narrative involvement beyond a backdrop of violence, undermining her potential as a central figure. The relationships between characters, including Elias and Constance’s daughter, Trisha, are introduced but inadequately explored.
Conclusion
“The Abandons” attempts to carve out a niche in the genre of Westerns with its female leads. However, the lackluster execution and unresolved storylines detract from its potential. As all seven episodes are now available on Netflix, viewers may find themselves longing for a more fulfilling experience in this ambitious but ultimately flawed series.